Thor: Love and Storm, the latest installment in this superhero line-up, uses new audiovisual production technology that looks Produce special effects in real timeSomething that was already used in the TV series “The Mandalorian” and which is emerging as a trend after Hollywood filming, because it saves a lot of time in post-production.

The so-called technology Unreal engine And it’s a virtual production system powered by Epic’s Unreal Engine graphics engine. The special effects company that was responsible for applying these new systems to the new Marvel production is called ILM (Industrial Light & Magic) and was responsible for some adjustments such as Create a StageCraft recording kit, which combines the latest camera, sound and computer technology. The largest studio built by the company is in Australia, where they shot a movie starring Chris Hemsworth and Natalie Portman.

A distinguishing feature of this relatively new recording technique LED panels inserted into recording sets to allow for greater resolution and recording area of ​​scenes. However, this was not the only innovation that the producers included in this new proposal from Marvel to achieve the best special effects, but Motion and face capture techniques were also presented at the shoot.

But this is not the only film that aims to innovate in terms of technology during its production as Buzz light year has also been in the news recently as its producers have incorporated some pretty modern techniques to create the story.

Disney Pixar films have always excelled in high-quality 3D modeling and production technologies. And this time was no exception, as they took advantage of the fact that this is their first super production since the pandemic began to develop in terms of special effects, so that the experience at the cinema is impressive.

This new technology used in the world of cinema includes the development of new Imax techniques to better evaluate visual effects, which the filmmakers say promises a hyper-realistic aesthetic.

In particular, the creators of the special effects of the Disney film, Virtual Imax cameras with large sensors and spherical lenses were incorporated into the production with personal channels for 30-minute shots.

This camera will be the latest in filmmaking, creation and audiovisual production with hyper-realistic 3D modeling, which has also been designed to be compatible with the Imax screens on which this new film will be shown, given that cinematographic theaters are also witnessing innovations in projection methods.

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